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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
Stage stars Tom and Ellen Bowen embark to open their show in England. Innocent-seeming Ellen is a female Don Juan and doesn't take dancing as seriously as brother Tom; on shipboard she meets her match, Lord John Brindale. Arrived in London, confirmed bachelor Tom auditions and is taken with cool dancer Anne Ashmond. Will romance break up the act?
国际足球教练在庆功派对中不幸中毒镖毙命,手上的钻石戒指“粉红豹”也随之失踪。谋杀与失窃案迅速成为关注焦点。破案重任落到总探长德雷福斯(凯文·克莱恩 Kevin Kline 饰)肩上。无奈中,他想到了最佳破案人选——探员杰奎斯•克鲁索(史蒂夫·马丁 Steve Martin 饰)。临危受命的克劳索与总探长指派的木讷探员波顿(让·雷诺 Jean Reno 饰)组合成为一对儿“黄金搭档”。克劳索将教练女友歌坛天后仙妮娅(碧昂丝·诺尔斯 Beyoncé Knowles 饰)列为首要的嫌疑对象,谁知调查时却对她一见倾心。 一路上克劳索遭遇各种勤快,钻石贩子、黑道分子、傲气足球明星、赌场老板、风情女政客,各色人物轮番登场,究竟谁才是名钻大盗?案情的进展一波三折,克劳索该如何按时侦破这桩惊世大案,同时有效提防虎视眈眈的总探长把功劳据为己有?
当前摔跤冠军卡基得知他的儿子搜搜陷入困境时,他从佐治亚州前往纽约帮助他并了解发生了什么……莱万·科瓜什维利将他的最新作品放在了布鲁克林的布莱顿海滩,捕捉到了来自前苏联的移民所居住的社区的多元氛围——在这个地方,语言和种族混合在一起,大多数商店的招牌都是西里尔文,人们对祖 国的怀念与他们当前的痛苦交织在一起。这部电影充满了深深的忧郁,充满了悲喜剧时刻和对主角的理解,捕捉到了一个父亲和他成年儿子之间的纽带,这是一种古老的纽带,无论在什么情况下,年长的人都会觉得有必要保护他的血液。